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Showing posts with label Quran. Show all posts
Showing posts with label Quran. Show all posts

Surah 100 - The Cavalry

Even with the cavalry snorting,
and the sparks flying
as the zealots at dawn
make the dust rise
as they pass through the midst of the host...
Really, humanity is ungrateful to its Master.
They themselves prove this:
their own love of wealth is intense.
Do they not understand that when the graves are emptied
and what is in their hearts is revealed,
of course, their Master will know everything?

Commentary

This is a particularly difficult surah to translate due to some very unusual vocabulary ('zealots' is an imaginative guess for a word that features only once in the entire Qur'an) and some very tight repetitive rhymes.

The poetic scheme in this surah includes both internal and end rhyme:

Three lines of -ati ... -han.
Two lines consisting of -n ... bihi ... -'an.
A single transitional line of -ood.
Two lines then ending in -eed.
Two lines of ma fee ... -oor (a nice parallel: 'what is in graves/heart')
And a final line ending -eer.

What this surah appears to do is to juxtapose the successes of a raiding party with a lack of gratitude for the divine aid that brought it about.

Surah 101 - The Alarm

The alarm:
what's 'the alarm' going to be like?
What will explain 'the alarm' to you?
On that day people will behave like moths fluttering about.
Mountains will be like wool that is blown around.
And he whose morality weighs heavily in the balance will be in Paradise,
Whilst the one whose morality weighs lightly,
his home will be a bottomless pit.
And what will explain what that is like?
It will be a raging fire.

Commentary

'Alarm' seems a fair rendering of the more traditional 'striking calamity'. One might almost translate it as 'the wake up call'. The image seems to represent the Islamic equivalent of the Last Trump in the Christian Apocalypse and the theme is a similar urgent call to repentance lest one succumb to eternal punishment.

A number of words seem to me to deviate from standard Arabic orthography, perhaps in order to achieve the considerable rhyme-scheme.

'Fluttering about' and 'blown around' rhyme on suitably breezy -ooth sounds; 'paradise', 'pit' and 'fire' rhyme on -iya, interspersed by repeated -uh sounds for 'scales' and the penultimate interrogative question. This surah is clearly a single piece of text, finely crafted, designed for oral performance with repeated rhetorical questions.

Surah 104 - The Bully

Woe to everyone who picks on you or gets at you,
who hoards a fortune and calculates its value
counting on it to save him from death.
Oh no! He's going to be utterly destroyed.
And do you want to know what that will be like?
A blaze God himself lit
that overwhelms hearts
and envelops them.

Commentary

Another translation attempt is here where I try to bring out the heavy rhyme scheme. This is a surah that requires a little more flexibility in translation to capture the wrath of God sense whilst avoiding over-literalism. Thus I don't translate several repeated words and massage a word sometimes rendered 'the crusher' with a phrase instead: 'utterly destroyed'.

Surah 102 - Profit

Profit will distract you
right up until you all reach the graveyard.
But no, soon you will understand.
Really: soon you will understand.
If you only understood the truth
that you will experience hell.
You will see it for sure.
And then on that day you will be questioned about your luxuries.

Commentary

Fire and brimstone meets Sermon on the Mount.

Rhyme: fitting assonance on 'profit' and 'graveyard', both ending on - r sounds.

Significant repetition of 'soon', 'no' 'understand' and words around 'certainty' up the moral imperative. This is slightly lost in my translation as I choose to vary the translation of the words to achieve the sense of rising intensity, rather than conform to the Arabic which relies on simple restatement.

Surah 103 - At the End of the Day

At the end of the day
mankind really is lost
with the exception of those who remain faithful, do the right things
and commend righteousness and endurance.

Commentary

I take enormous liberties with the first expression/title, but the alternative is the meaningless literalism 'by the day/afternoon' or possibly something to do with pressing grapes. The metaphor seems to be about completion: when the day is over, when things are spent. The English colloquialism 'when all's said and done...' might fit, too.

There is rhyme here, but effectively it is merely a sequential repetition of the same verbal ending -oo (remain, do, commend) which serves to emphasise the importance of practical action.

The verb 'to be', as in many languages, is omitted which introduces a problem of tense: making this a future judgement ('will be lost') could make sense, but keeping the present tense adds something of a preordained certainty to the surah making this more of an ontological statement of eternal judgment.

Surah 105 - Elephant

Haven't you reflected on how your Master dealt with the Elephant battalion?
Didn't he make their plans go awry?
He sent hoards of birds against them
shooting at them with stones of clay.
And so he made them like straw that has been flattened. 

Commentary
There is some peculiar vocabulary in this surah that has stumped most translators. I've played around with the meanings of different words slightly to form a coherent overall image (e.g. 'companions' becomes 'battalion'). The impression appears to be the triumph over a heavy land-based army that included an elephant by multiple lighter small airborne forces (birds). The imagery thus has something of a supernatural David-and-Goliath feel playing with several kinds of opposites (single/multiple; heavy/light; land/air).

The 'stones of clay' are very odd - the word might even derive from that used to describe a baked clay writing tablet, i.e. something small and hard. The final image I have reworked as 'flattened' straw; the original is 'eaten up' (perhaps harvested or destroyed?). I've gone for the image of a hail-storm devastating crops.

There is a significant degree of rhyme here: the first four verses all end with a long -eel sound (elephant, astray, hoards, clay), then the final verse shifts to -ool (flattened or eaten).

Also unusual, this surah is spoken in the second person singular, rather than to a group of people. The battle itself is supposed to be that which took place around the year of Muhammad's birth in 570 between the Christian Yemeni king Abraha against the Quraish of Mecca. One could imagine that the account might have drawn on volcanic imagery: falling rocks...?

Surah 106 - Quraish

For Quraishi safety -
Their safety during the passing of winter and summer -
let them worship the Lord of this house.
It is He who feeds them so they do not hunger and protects them so they do not fear.

Commentary

'Quraish' is usually thought to be the name of Muhammad's tribe, but the lack of 'al-' suggests it may not be the name of a tribe so much as a description, perhaps of those Arab tribes that were Roman foederati (mercenaries paid by the Roman administration to police the border).

This is an odd little surah which has no obvious rhyme. Usually translations refer to 'winter and summer caravans' referring putatively to the Quraishi's mercantile habits, but I wonder instead if the wider sense is the annual care of the people throughout the cycle of the seasons: it is their movement not that of the people that is being described. They are being invited to recognise their security and respond with worship and service. The word translated 'house' could more metaphorically mean 'people' rather than the Ka'aba sanctuary in Mecca (or anywhere else).

Surah 107 - Care

Have you seen someone who doesn't believe in judgement?
It's someone who turns his back on the orphan,
Who makes no effort to feed the needy.
Woe to those who don't take prayer seriously,
who put on a show,
but fail to care.

Commentary

Extensive rhyme and assonance throughout: -een/-eem endings (on judgement, orphan, needy and prayer), followed by -oon sounds for the final three lines (not seriously, show, care).
The surah appears to fall into two 3-verse parts following this rhyme scheme. The whole hangs together well linking depth of prayer with action.

Surah 108 - Everything

For sure, we have given you everything you could need.
So: pray to your Lord and give thanks.
Even your enemy has been dealt with!

Commentary

A little gem of encouragement. Rather than follow later commentators and concretize al-kauthar as a river in Paradise, I try to keep it simpler...

Each of the three verses ends with an '-r' sound. There is also a modicum of internal rhyme (give you / your enemy) and a repetition in first and third lines of a word often translated 'indeed'. The whole creates a certain sense of security.

Surah 109 - Faithless

Say this, "Hey, faithless!
Whatever it is you worship - I don't.
And you certainly don't worship what I do.
In fact, I will never worship what you do,
And you won't ever worship what I do.
You have your beliefs: I have mine."

Commentary

This is a surah of extremes: them-and-us.

The first two verses have an end-rhyme  '-oon' (faithless / you worship) emphasising the link between unbelief and the worship of the others. The rest of the surah plays around with different tenses and cases of the verb 'worship' ('abd), which is used eight times and with some symmetry (I-you, you-me, I-you, you-me).

The word translated as faithless is often used as an insult to non-Muslims: Kafr.

Surah 110 - Help

When with God's help triumph comes
and you see people flocking to the faith,
sing your master's praises then and seek his forgiveness, for truly he is merciful.

Commentary

Nothing particularly striking about this surah. No obvious rhyme scheme. It reads like a prophecy before a battle, although a more eschatological reading might be possible.

Surah 111 - Old Noose

Damn the influence of Abu Lahab ('Father of Flames'), damn him!
May his fortune fail him and everything he has acquired!
He'll be burnt in a blaze of flames,
his wife the wood-bearer,
a rough old noose around
her neck!

Commentary
I take certain liberties with vocabulary. Technically the surah is called 'palm fibre', which I imagine a cheap rough material, and translate instead with the colloquial 'rough old...'.

Rhyme emphasizes 'b' sounds on all but the final verse (the words translated here: damn / acquired / flames / wood). The absence of rhyme in the final line adds bathos.

An obvious pun is made on Abu Lahab's name and the envisaged form of punishment.
I choose to interpret his wife's punishment as connected with his: she is forced to bring the kindling for his funeral pyre. Abu Lahab was reputedly Muhammad's half uncle.

Surah 104

Not all of the surahs are particularly poetic. Abu Lahab (111), a short tirade against a personal enemy, has very little by way of poetic style (my translation here). Nevertheless, some of the surahs are very highly sculpted. The following translation of surah 104 (al-Humaza - the Backbiter) attempts to mimic as closely as possible the Arabic rhyme-scheme and so takes liberties with the precise meaning of individual words. The rhythm is more difficult for me to notice in its current written form, especially with the vowels added, so I've not attempted to replicate that. In the original oral delivery I'd imagine that rhythmic patterns were far more marked. (More conventional trans. here and another by me here.)

In the name of God passionate, compassionate:

Woe to every bitcher and snitcher
hoarding his wealth, noticing any short-fall
thinking it has made him immortal!

No. He'll be thrown into destruction.
And what's it like, destruction?

A fire by God set burning,
over their hearts licking,
around them turning,
like pillars towering.

Surah 112 - Unadulterated

Say this: "He alone is God,
God who endures forever.
He neither fathers nor was he fathered,
nor, indeed, is there anyone like him."

Commentary

This seems almost creed-like: an eternal, singular notion of the divine. There may be some anti-Trinitarian polemic, although just possibly the surah could be read as a rejection of a pagan pantheon. Different Arabic titles are given, including 'Unity'. I've chosen 'unmixed/pure' with the hint in English of a rejection of other divine relationships.

There is some end-rhyme: wahad / Samad (one / eternal).

Surah 113 - Daybreak

(Continuing a series in which an Anglican priest translates and comments on the Quran)


Say this: "I will look to the creator of the daybreak for my protection:
from the malevolence of creation,
from the malevolence of the darkness when it grows intense,
from the malevolence of women who make curses,
from the malevolence of the man who holds a grudge." 

Commentary

I've aimed for a more expansive translation than other English versions adding pronouns, for example, changing some word-order and tenses for emphasis and paraphrasing a fair bit.

Rab (creator/ruler) is cognate with common words throughout the middle-east, including the Hebrew honorific rabbi and the Babylonian majordomo rabshakeh.

The word I have translated as malevolence (sharr) is repeated four times (possibly) in pairs: the final two evils, at least, reflect a gendered pair: female and male evil-doers (thus inclusive of all humans who seek to wound).

'Women who make curses' is my paraphrase of 'the female blowers on knots', a reference to some form of evil magic (are knots about causing us to be tied-up, i.e. for life not to flow easily...?). There is some nice onomatopoeia: 'blowers' is an-nafathat. The word 'protection' in verse 1 can be used in terms of warding off the evil eye.

There is a fair bit of end-rhyme: falaq / khalaq (v. 1 day-break / v. 2 he created) - notably both words emphasizing God's role in starting something; and ghuqad / hasad (v. 4 knots / v. 5 he envies); indeed the final word of the middle verse waqb arguably acts as a shift in the rhyme sequence by moving the -q- to the medial position. 

Theologically, the surah replicates a problem concerning the origin of evil: v. 2 has 'the evil that [God] created', but in the cultural context of early monotheism (and without Augustine's more sophisticated discussion of evil as privation) this might mistakenly imply that God is the author of evil. Rather, I think the notion is that evil arises from a divine creation with free-will, and one prays to be delivered from this.

The surah is a prayer about how to deal with adversity from other people by seeking a more secure anchorage in the concept of a god who is the author of creation, in particular the one who breaks the night (the locus of evil) each day by bringing light. 'The Daybreak' is a fitting title. Christians will recognize the theme in 'Let there be light...' and in the Johannine Jesus referring to himself as 'the light of the world'. Of course, themes of darkness and evil abound in Christian (and other) writings.

In terms of human psychology here is an urge to re-frame the experience (or fear) of evil. Note that evil is not explicitly experienced but rather located in the (feared) intentions of others; the believer is to submit to trust in God rather than let his/her fears take over.

Surah 3 - Imran

Continuing the series in which an Anglican priest, trained as an early medieval historian, reads the Qur'an.

Though one might attempt to divide Surah 3 into sections (and it may indeed contain verses edited together), to my mind the surah seems best understood as a diptych of 200 verses, the first 100 are (apparently) directed to unbelievers and are made roughly of 3 sets of 33; the second 100 are directed at believers. I shall treat the two sections in two separate posts.

Part 1 of the surah clearly marks a step up in the existential challenge to belief we saw at the end of Surah 2, The Cow. The first 32 verses emphasize repeatedly the danger of divine judgement on those who refuse to believe. We should note, however, the nature of this judgement: it is categorically God’s alone. Believers are merely to warn, not to threaten or (worse) carry out God’s judgment themselves.

The causes of unbelief are considered two-fold. Predictably, and in common with many religious traditions, one cause is the preference for earthly rewards over heavenly ones (NB in both cases these rewards are apparently perceived from a purely male point of view). More curiously, alongside this, unbelief is also linked to the nature of revelation itself. It appears that in God’s sovereignty, some verses of 'the Book' are ambiguous in meaning and others not, and the former have become a source for dissent.

Yet what is this 'book'? Is it the Qur’an itself? If it were we would face the bootstrap problem: can the Qur’an refer to its own reception history? Perhaps - if we imagine a gradual process of revelation, and if this surah refers to the way earlier parts of the Qur'an were received.

However I think it more likely that 'the book' here means Revelation in general: the Torah and Gospels in totality. What is being referred to mainly in part 1 of this surah is Jewish and Christian disagreement. Indeed this will underscore the significance of the following section which offers an extensive presentation of a distinctively Muslim view of Jesus as an apparent alternative to the differing views of Christ offered by Jews and Christians.

Interestingly this notion of ambiguous revelation gives rise to the idea that God alone knows the true meaning of Scripture (a meaning which will, of course, uniquely be revealed to Muhammed). This is however an interestingly radical apophatic position regarding scriptural hermeneutics. Again, this is grounded in a continual reassertion of the sovereign nature of God, and the appropriate human response of submission ('islam'). This appropriate human-divine relationship is underlined by the 'sign' of the outcome of the Battle of Badr where the faithful minority were vindicated by trusting in God rather than by might (or indeed by making alliances with unbelievers).

This opening section gives rise to a rather beautiful prayer which crucially (in the light of what follows about the nature of Jesus) culminates in praise of God’s unique powers over life and death:
Say ‘Lord, Sovereign of all sovereignty, You bestow sovereignty on who You will and take it away from whom you please; You exalt whomever You will and abase whomever You please. In Your hand lies all that is good; You have power over all things. You cause the night to pass into day, and the day to pass into night; You bring forth the living from the dead and You bring forth the dead from the living. You give without stint to whom You will.”
The second third of part 1 of the Surah (roughly vv. 34-66) now appears to take a rather surprising biblical turn, and much ink has been spilt over the undoubted similarities between this passage's description of Mary’s own birth and her conception of Jesus, and the very similar accounts found in non-canonical texts (the Protoevangelium of James and the so-called Pseudo-Gospel of Matthew, an analysis of which I shall perhaps treat in a separate posting).

Following on from the previous section’s focus on dissent among (presumably) Jews and Christians, the key feature in this section is the claim that Jesus is created by divine fiat, rather than by divine conception. This account is claimed to be a new divine revelation that settles once and for all the aforementioned ambiguity of Scripture that has resulted in these disputes.

The climax of the first section (on Jesus) is the assertion that God has no consort, and that Jesus is not the divine offspring of (for example) sex with Mary. Interestingly – since it contrasts with later statements about Jesus’s disappearance and denial of crucifixion – though unclear it appears here that Jesus does nevertheless appear to die and is ‘taken up’ to God, and that this is in keeping with God’s (earlier affirmed) sovereign powers over life and death.

Orthodox Christians will of course have little problem in agreeing with much of this, for what the text actually appears to refute is a biological view of Jesus’s spiritual origins. There are even hints of a slightly higher Christology: Jesus is a ‘Word’ from God (my translation has ‘word’, but Arabic does not capitalize) whom God, in an echo of the New Testament accounts of Jesus's baptism, is said to 'favour'.

After the discussion of Jesus, the text moves very briefly on to the theme of dispute about Abraham: is he a Christian or a Jew? One may perhaps see here a trace echo of Jewish-Christian disputes and a continuation of the argument articulated by Paul. The answer here is: Abraham is simply one who submits, i.e. in Arabic muslim, but which elides as ‘a Muslim.’

Abraham’s appearance here is though only apparently cursory. It is in fact the beginning of the final 33 verses of this first half of the Surah and which culminate in the account of Abraham’s foundation of the world’s first shrine at Meccah, and its importance for Muslims. After the Jewish-Christian dispute about Jesus, this final third thus serves to lift up Abraham as a unifying alternative figure (ironically, echoing Paul’s rhetorical use, and making Abraham a founding figure for a third world religion). Mecca is, in implied contrast to Jerusalem a kind of new ‘beacon to the nations’ to which, in a recurrent appeal to ‘People of the Book’, Christians and Jews are called. (The ‘Book’ here meaning the total revelation in whatever form, if unadulterated.)

As I also hinted at in my discussion of the previous Surah, there is also an element of struggle here for the 'soul' of the people. What is new though is a more noticeably apologetic attempt to situate Islam as a rival alternative to the (perceived) doctrinal mistakes of (many) Christians and Jews about Jesus (though their ethical lives are affirmed). The first 100 verses of this surah are thus carefully constructed around an argument whose direction moves from judgement, via an examination of Jewish-Christian dispute, to the unity of all those who submit and who gather around the symbolic figure of Abraham and the place of his shrine: Mecca.

Surah 2 - The Cow

This is one of what I hope will be the first of several extended comments on individual surahs of the Qur'an based on a personal reading by a Christian Anglican Priest. The translation I have been using, with parallel Arabic, is that of Dawood. As this version is copyright, I offer links in the comments below to a free online translation, as well as to other external texts. My aim is to offer a sympathetic, though not uncritical, mixture of summary, interpretation and comment.

The Cow is the first major surah (book) in the Qur'an following the brief opening surah.

On reading it I cannot help but note the careful editorial work that has been undertaken both in the internal structuring of the text, and also in its key placing at the start of the Qur'an. In many ways the text sets out a Muslim stall. It functions quite self-consciously as a kind of Islamic overview of what Christians would call 'salvation history'. It carefully distinguishes Islam from the religions of the 'unbelievers' who seem to be a mix of Jews and Christians who have ostensibly misunderstood or perverted the truth, and indigenous pagans.

Initial comments summarise several of the main tenets and practises of Islam. Thereafter one finds something rather like a Muslim re-reading of the Torah/Pentateuch. First there is a retelling of the Adam and Eve 'creation and fall' story. Christians will recognize parts of this as echoing the second of the two Genesis creation stories. Adam is God's 'deputy' (khalifa - caliph) and is superior to the angels (cf. Psalm 8) because he can name the animals, whereas they cannot. (God rather nicely shows the angels up here with his proud new human creation; one senses here a touch of humour). Unlike Christian readings of Genesis however there is a rather different take on the 'fall' narrative: Satan directly removes Adam and his (unnamed) wife from Paradise, so the humans do not themselves appear guilty of any 'original sin'. Overall humans are accorded a high status.

Soon after there follows a retelling of the Exodus story. The emphasis, as so often in the Qur'an, is on revelation doubted. Here the doubters are Pharaoh and the Israelites. It is difficult not to read such passages as echoing Mohammed's own experience of being doubted such that Pharaoh and the Israelites' doubting of Moses seem to serve as antetypes to Arab, Jewish, Christian, and pagan doubters of Mohammed's own authority and revelation. Passages such as these concretely demonstrate the Muslim sense of Mohammed as standing at the end of a long line of prophets, all of whom appear to have suffered rather similarly.

It is in this context of Mohammed as another Moses that I read the somewhat later sections of the surah as a kind of second Law (Torah). Christians will recognize passages that read rather like sections of Exodus, Leviticus, Numbers, or Deuteronomy. There are instructions on violence and retaliation (a necessity only in case of survival: 'fight for the sake of God those who fight against you, but do not attack them first. God does not love the aggressors' 2:190); fasting, sexual abstinence, and warfare during Ramadan; pilgrimage, and so on. There follows a rather extensive section on divorce, widowhood, and remarriage; and there are finally sections on usury and alms-giving.

Naturally some parts grate on a modern sensibility: the allegedly superior status of men over women, for example (Christian parallels of which can be found in deutero-Pauline texts, too). Overall though these commands come across as extremely moderate: an attempt to regulate an unstable, patriarchal and violent seventh-century society.

Theologically there is a recurrent motif of commending a particular course of action and then following this with a reminder of the character of God ('A kind word with forgiveness is better than charity followed by insult. God is self-sufficient and indulgent'; 2:263). Christians will recognize Jesus' model: 'be merciful as God is merciful'. These are not then arbitrary laws from a tyrant deity; rather commandments about how humans are to relate to one another are fundamentally grounded in how God relates to humans. It is this surah that provides the famous phrase 'there shall be no compulsion in religion.'

Interspersing the latter part of the surah are sections dealing with kings Saul and David. Curiously Saul seems to me to be given a higher profile than David. Is this a subtle rejection of a Jewish focus on David? These accounts also appear to blend biblical stories of Israel's fight with Goliath and Gideon's (much earlier) campaign against the Canaanites. There are hints here of how a small faithful tribe can defeat a larger enemy - surely a potent message for Mohammed's own audience.

Lastly Jesus, briefly, and with more depth Abraham are also treated twice in this surah. As elsewhere, Jesus seems to be accorded a high position. He is a messenger like others, not divine, but uniquely given 'the Holy Spirit'. However he is by no means God's 'begotten Son' (a biological production seems assumed).

Abraham though is given (after Moses) the most prominent role. As in Judaism and Pauline Christianity he takes on the role of father of a people of faith. He is a type of faithful obedient human and a prophet, whose construction of the 'House' (Kaaba) ultimately gives Islam its cultic centre. Here one suspects a conscious creation of an Arab alternative to the Jewish Temple in Jerusalem (there is indeed a brief mention of the changing of the direction of prayer away from Jerusalem towards Mecca).

There are some real spiritual gems in this surah. Doubtless it has been drawn from various sayings originally given in specific contexts and relating to matters of internal community regulation and dispute. Nevertheless I cannot help but feel that now the surah serves a more outward focus - it is a fine introduction to a religion's sacred text. Those who picked the Qur'an up (or heard it read) would be in no doubt about what Islam involved, how it saw itself as relating to those other monotheisms Judaism and Christianity, how Muslims believed that the text itself constituted the very revelation of God, and how the reader/hearer faced an existential challenge to either accept or reject this message.

The final verses thus sound a communal chorus: 'The Apostle [Muhammed] believes in what has been revealed to him by his Lord, and so do the faithful... You alone are our Protector. Give us victory over the unbelievers...' (2:285-6).

Surah 114: Humans

I'm having another go at Arabic. Here's an attempt (by a Christian) to translate the final chapter of the Qur'an followed by a commentary. Arabic and other translations here.

In the name of God, the compassionate and merciful one.

I seek refuge in
the lord of humans

the king of humans
the god of humans
from the evil of the whisperer who hides, who whispers in the hearts of humans,
from spirits,
from humans.

Commentary:
This is the Qur'an's final surah, a nicely turned piece notable stylistically for its three-stage chiasmus.

There are rising levels of divine description lord > king > god that psychologically encourage increasing trust in God. These levels are matched by declining stages of evil the whisperer (traditionally Satan); spirits (jinn) > humans. The effect is to create deliberately asymetrical pairs: god trumps whisperer; king trumps spirits; lord trumps humans.

There is a superb example, too, of onomatopoia: the whisperer in Arabic is al-waswasi. There is also evidence of internal assonance/rhyme: the whisperer is one who hides (al-khannasi), this recalls the word for 'humans' (an-nasi)

Spiritually the whisperer might be recognised in the voice in the heart that brings crippling self-doubt or anxiety. As many would recognize, this voice is a far more powerful enemy than external 'spirits' or other humans. The surah envisages finding refuge from such inner anxiety in God.

The surah is commended in various in traditional interpretations (tafsir), together with the previous chapter (113: Daybreak) as a strong prayer against spiritual attack.